CONTENTS
Illuminated manuscripts
- Canones conciliorum, written by an insular scribe,
Northern Italy, c. 775
- Psalter, so-called Bernwardpsalter,
Germany, Hildesheim, c. 1020
- Gospel Lectionary, Byzantium,
Constantinople,c. 1100
- St Augustine, Enarrationes in Psalmos, Upper
Austria, Lambach Abbey, second half 12th century
- Vita Christi, Life of Christ and of the Virgin,
Northern England,York, c.1190-1200,
and East Anglia, Norfolk, c.1480-90
- Antiphonary, illuminated choirbook, Italy,Venice
(San Marco), c. 1250 (between 1238 and 1264)
- Psalter and biblia latina with the interpretation
of the Hebrew names, France, Lorraine, Metz, c. 1250
- Psalter for the use of Brussels, Northern France,
Paris, c. 1260
- Biblia latina with the interpretations of
the Hebrew names, Southern France,Toulouse,
last quarter of the 13th century
- Psalter, illuminiated for Gui de Dampierre,
Southern Netherlands, Bruges, c. 1280
- Speculum humanae salvationis, illuminated
with pen-and-ink drawings by Magister Konrad,
Austria, before 1386
- Book of hours, use of Chartres, illuminated by
the Bedford workshop, France, Paris, c. 1400-10
- Psalter, Spain, Barcelona, shortly after 1400
and c. 1440-50
- Book of hours, use of Rome, illuminated by
Pseudo-Jacquemart, France, Paris, c. 1410
- The so-called Wardington Hours, hours of
the Passion, illuminated by the Bedford workshop,
France, Paris, c. 1410 and 1430
- Wirnt von Grafenberg, Wigalois (manuscript k),
illustrated by the circle of the Workshop of 1418
and of Diebold Lauber,Alsace, c. 1420-30
- I.Thomas de Chobham, Summa de poenitentia,
dat. 1422; II. Stephan Palecz, Utilia contra errantes;
III. Johannes Andreae, Processus iudicalis – et al.;
Austria, Seitenstetten, c. 1422
- Joachim di Fiore Vaticinia sive Prophetiae
et Imagines Summorum Pontificum,
illustrated by the workshop of Lorenzo
di Pietro ‘Il Vecchietta’, Benvenuto di Giovanni,
Italy, Siena, c. 1450 and c. 1464
- Bruder Philipp, Marienleben
and other texts, Upper Rhine, c. 1450
- German prayerbook with metalcuts, Germany,
Cologne and Tyrol, Diocese of Brixen,
dated 1458
- Book of hours, use of Paris, illuminated by
the Master of Jacques de Luxembourg, France,
Paris, c. 1460-70
- Book of hours, use of Rome, illuminated by the
Master of Marguerite de Liederkerke, Flanders,
Hainault, Mons or Valenciennes, c. 1500
- Croy-Arenberg Book of Hours, use of Sarum,
with miniatures by the Master of Sir George
Talbot, the Master of the First Prayer Book of
Maximilian and the Master of the David Scenes
in the Grimani Breviary, Flanders, Ghent,
1505 and c. 1510-20
- Berault Stuart (Bernard Stewart),
Traité sur l’art de la guerre, Northern France, Paris,
second quarter 16th century
- Battista Agnese, Portolan Atlas, Italy,Venice,
signed and dated 5 February 1544
Early Prints
- Nativity, Single-leaf print, Southern Germany,
c. 1440
- The Good Sheperd – ihesus xpristus,
Single-leaf print, Southern Germany,
West-Swabian, c. 1460-70
- Block-book – Ars Memorandi per figuras
Evangelistarum, first print of first edition,
Southern Germany, Nuremberg, c. 1470
- Block-book – Der Antichrist und die fünfzehn Zeichen
Germany, Nuremberg: Hans Briefmaler 1472,
second edition, i.e. Hans Sporer, 1470
- Celestial vision at Constantinople. Kunt und
wissennt sey allermeniglich das ein sölich geschicht
unnd erschreckliches erschein gesehen ist worden hinter
Canstantinopel ..., Single leaf print, Southern
Germany, Nuremberg c. 1491
- Biblia Latina – A single leaf,Mainz: Johann
Gutenberg and Johann Fust,‘c. 1454/55’;
rather 1452-1454
- Psalterium Benedictum Congregationis Bursfeldensis
– A single leaf, Mainz: Johann Fust
and Peter Schöffer, 29 August 1459
- I.Thomas de Aquino. Summa de articulis fidei,
Mainz: Printer of the Catholicon before 1460
or Peter Schöffer c. 1469
II. Matthaeus de Cracovia. Dialogus rationis
et conscientiae de frequenti usu Communionis,
Mainz: see above, c. 1469;
III.Antoninus Florentinus. Confessionale:
Defecerunt.With: Johannes Chrysostomus. Sermo
de poenitentia, Cologne: Ulrich Zell, c. 1470
- Johannes Balbus, Catholicon, Mainz: printer of
the Catholicon, probably Gutenberg workshop
1460, c. 1472, or 1469
- Rudimentum Novitiorum, Lubeck: Lucas Brandis,
5 August 1475
- Speculum humanae salvationis, German:
ein spiegel der menschlichen behaltnisze,
Basel: Bernhard Richel, 31 August 1476
- Conrad von Megenberg, Das buch der Natur,
Augsburg: Johann Bämler, 20 August 1481
- Auslegung – Messe singen oder lesen wer
das thun sol, wenn, wie oder wo, Nuremberg:
Friedrich Creussner, not after 1482
- Jacobus de Theramo, Belial. Cy commence le proces
de Belial a l’encontre de Ihesus. Lyon, Mathias Huss:
19 May 1486
- Compilation of ten French
literary incunabula, Paris, 1488-c. 95, among them Olivier
de la Marche, Le Chevalier Délibéré. Paris: Guy Marchand
or Antoine Caillaut for Antoine Vérard,
8 August 1488
- Olivier de la Marche. Le Chevalier Délibéré,
Gouda, printer of the Chevalier délibéré,
Collaciebroeders, after 31 October 1489
- Petrus de Crescentiis, Ruralia commoda.
In commodum ruralium cum figuris libri duodecim,
Speyer: Peter Drach, not before 1493
- Alanus de Rupe, Von dem psalter unnd Rosen
krancz unser lieben frauen.Wie man den beten sol,
Augsburg: Anton Sorg, 1492
- Der Doten dantz mit figuren. Clage und
Antwort schon von allen staten der welt,
Mainz: Jacob Meydenbach, c. 1492
- Fiore di virtù. Questa sie una utilissima operetta
acada uno fidel christiano chiamata fior de virtu,Venice:
Matteo Capcasa di Codeca, 15 January 1493
- Christophorus Columbus, De insulis nuper
in mari Indico inventis, and Carolus Verardus,
Historia Baetica. In laudem Serenissimi
Ferdinandi Hispaniarum regis Bethicae & regni
Granatae obsidio, victoria & triumphus,
Basel: Johann Bergmann von Olpe, 1494
- Scriptores Astronomici veteres: Julius Firmicus
Maternus, Mathesis and other Greek and Roman
astronomical texts,Venice:Aldus Manutius, 1499
- a: La dance macabre des hommes, Paris,
widow of Jehan Treperel and Jehan Jehannot,
c. 1512-22 234
b: La dance macabre des femmes toutes
hystories & augmentee de nouveau, Paris,
Jehan Treperel (II), c. 1525-32
- Martin Luther, Das newe testament deutzsch,
Wittenberg: Melchior Lotter, 1524
- Aurelius Theodosius Macrobius, In somnium
Scipionis libri II. Saturnaliorum libri VII.
Basel: Johannes Herwagen the Elder, 1535
Key to bibliographical references
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First edition of ancient mnemotechnical compendium of the four Gospels
28 Ars Memorandi per figuras Evangelistarum, block-book
[Southern Germany, Nuremberg?, c. 1470.]
First print of first edition.
2°, 287 x 201 mm. 30 leaves. Printed anopistographically; i.e. on one side of the sheet only, leaves 2-29 pasted together in pairs against their blank versos.
Watermarks:Two versions of bull’s head (not in Piccard XIII), quire signatures a-p at the end of each text-page. – Text rubricated, twelve initials coloured in red.
Woodblock print with 15 full-page illustrations. Lips and tongues, some hat-tops and roofs likewise coloured in red. – The leaves were, probably in the course
of binding, separated and put on guards. Slightly stained, with few traces of water. Leaves 1 (text) and 30 (illustration) doubled revealing small (worm-) holes, outer
margin of leaf 1 remargined. – Dark brown, marbled German 18th-century calf-leather binding, spine on six raised bands with floral gilding and label. Front cover
with thin gold border, cover edges gilt, red edges, marbled endpapers, in a canvas box signed “The Lakeside Press, Chicago”.
PROVENANCE: 1. Fürstliche Bibliothek Gotha. Stamp
“Bibliotheca Ducalis Gothana” on recto of first leaf. Label
“1.” on spine, signature “Xylogr. pag. I. no. 1”, on first flyleaf,
bibliographical notes of the 18th century on second flyleaf.
2. Louis H. Silver (1902-1963), renowned Chigaco collector.
His leather ex-libris on the inside of front cover, canvas box
dating from his lifetime. His collection was sold en-bloc in
1964 to
3.The Newberry Library, Chicago. An important portion of
the Silver-collection was sold at Sotheby’s, 8-9 November
1965, this copy as lot 32.
4. H. P. Kraus, Catalogue 131, no. 15.
5. Collection Otto Schäfer, Schweinfurt, OS 1032.
CONTENT: The Ars memorandi addresses young theologians
of moderate education.With the help of illustrations,
the block-book is intended to serve as an aide-memoire to
the content of the four Gospels. In contrast to the Biblia
Pauperum with c. 14 editions, the Ars memorandi was printed
in only three editions (the first of which in three issues)
with only very minor differences. However, the useful aidememoire
was adapted by the pioneers of printing with movable
type. Incunabula editions with copies of the illustrations
of the Ars memorandi include, for example, the Memorabiles
evangelistarum figurae, which combines the images with
mnemotechnical verses by Petrus of Rosenheim. It was
republished in several editions under the title Rationarum
Evanglistarum at Thomas Anshelm’s press in Pforzheim
between 1502 and 1522.
Images and text are presented opposite one another so as to
be mutually explicable. The texts, on the left-hand side contain
short surveys of some chapters of each Gospel, while the
right-hand side shows a full-page image of the respective
Evangelist’s symbol.The additional decoration comprises the
chapter numbers and is intended as a guide to remembering
the principal characters and subjects of the relevant Gospel.
Mnemotechnical tools of this kind go back to the Venetian
Jacobus Publius and were especially popular with the
Dominicans.To the members of this order it was important
to memorise each chapter of the Bible in order to quote from
the Scriptures in sermons and disputations.The places where
copies of the Ars memorandi are found imply a Southern
German origin for this genre. Manfred von Arnim suggests
the city of Nuremberg for our book, after having compared
the quality of the woodcuts, the draperies and the crosshatchings
with the woodcut of Creussners’s Simon Tridentinus
(Schramm XVIII, fig. 344).
PRINT: Our block-book is the first print of the first edition.
The production of block-books is entirely based on the
technique of carving wood: illustrations as well as text are
cut into a wood panel (‘block’) which is then covered with
water-based ink (distemper) rather than with printer’s ink
and printed onto paper. Block-books are characterized by
a close relationship between images and explanatory texts.
This technique was used especially for popular religious literature
of an edifying and moralizing kind, such as the Biblia
pauperum, the Canticles, the Ars moriendi, the Heilsspiegel
(Mirror of Salvation) and the Apocalypse, but also calendars,
books on the planets, chiromancy and pilgrims’ guides for
Rome. Both the richly illustrated contents and the technique
of production lend a special appeal to block-books in general.
Prior to Gutenberg’s invention of printing with movable
metal type the woodcut technique allowed for reproduction
of illustrated texts of some length. In order to make
them look like ‘real books’, the leaves were pasted together
against their blank versos. Only the use of a printing press
allowed the production of opistographical block-books, i.e.
books in which the leaves were impressed on both sides.
Due to this more ‘archaic’ printing technique block-books
were long regarded as the forerunners to Gutenberg’s inventions.
The earliest reliable date of a block-book, however, is
1470, while later editions can be dated until around 1530
and it is now generally accepted that the two reproduction
methods existed side by side. One important advantage of
block-books was the fact that the wood-blocks could be
stored over a long period, while the typeset of a book printed
by Gutenberg’s technique had to be disassembled after
printing, storage being too expensive. Block-books, therefore,
allowed for new copies to be made to order – comparable
to the principle of ‘publishing on demand’ today. The
majority of the surviving copies were printed in German,
Dutch or Latin.The centres of block-book production seem
to have been in the Netherlands and in the southern part of
Germany.
RARITY: Extremely rare. Only one other copy of the first
print of the first edition is recorded (Vienna, Albertina). On
the whole, about 30 block-book copies of the Ars memorandi
survive worldwide (Census in Blockbücher des Mittelalters).
Schreiber IX (manuel IV), p. 135f, ed. Ia;
Arnim 1984, Xylo-C.; exh. cat. Nuremberg 1987, no. 3.;
exh. cat. Mainz 1991, No. 35f.
BMC I, p. 4 (compare Schreiber’s ed. II); Hind 1935, p. 254;
Rost 1939, p. 250;Volkmann, 1929, pp. 119ff. |